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The Bachelorette reveal, according to Brandy Monk-Payton?

What dynamics of media representation in front of and behind the camera did Rachel Lindsay’s turn as the title figure in The Bachelorette reveal, according to Brandy Monk-Payton?

How, according to Monk-Payton, does this case study help us critically understand network television’s relationship with diversity and (more broadly) the racial politics of desire in mainstream US media?